Best Ticketing Platform
UK 2026
We ranked all 11 major UK ticketing platforms by fees, features and ease of use to find which gives your fans the best deal.
How We Ranked Them
Fees matter most. Every pound taken in booking fees is a pound your fans lose or a pound off your margin. We weighted our ranking heavily on total cost per ticket, then factored in feature set, ease of setup, payout speed and data ownership. The result is a practical, no-nonsense ranking for UK event organisers in 2026.
The Top 11 UK Ticketing Platforms
Tickts
Tickts charges zero booking fees, zero commission, zero monthly costs. Payments go directly into your own Stripe account and you keep 100% of ticket revenue. You also own all your customer data from day one.
Pros
- Genuinely zero fees — fans pay face value
- Direct Stripe payouts — money in your account
- Full customer data ownership
- Simple setup, modern dashboard
Cons
- Newer platform, smaller brand presence
- No built-in event discovery marketplace
Best for: Any organiser who wants zero fees and full data ownership
Outsavvy
Outsavvy is one of the cheapest fee-charging platforms in the UK. At 3.5% + 30p, a £25 ticket costs fans just £1.18 in fees. The platform offers solid event management tools, customisable pages and a good organiser dashboard.
Pros
- Low fees compared to most competitors
- Good feature set for the price
- Customisable event pages
Cons
- Still charges fees — not free
- Limited brand recognition
Best for: Small-to-mid organisers wanting low fees with decent features
Fatsoma
Fatsoma has carved out a niche in the student events and club nights scene. At 5% + 49p, a £25 ticket costs fans £1.74 in booking fees. They offer rep/promoter management tools and group ticketing features tailored to nightlife.
Pros
- Built for club nights and student events
- Promoter/rep tracking and management
- Strong nightlife community
Cons
- Fees add up on higher-priced tickets
- Less suited to non-nightlife events
Best for: Student events and club nights with promoter networks
TicketCo
TicketCo is a Norwegian-origin platform growing its UK presence, particularly with festivals and cultural events. At ~5.5% + 30p, a £25 ticket costs fans around £1.68. They offer a comprehensive suite including POS, access control and cashless payment tools.
Pros
- Strong festival and venue management tools
- POS and cashless payment integration
- Good access control features
Cons
- Less well-known in the UK than competitors
- Pricing can vary by contract
Best for: Festivals and cultural events wanting integrated venue tools
Eventbrite
Eventbrite is the most recognisable name in ticketing. At 6.95% + 59p, a £25 ticket costs fans £2.33 in booking fees. You get a polished platform with strong marketing tools, integrations and a built-in discovery marketplace.
Pros
- Biggest brand name in ticketing
- Excellent marketing and analytics tools
- Built-in event discovery marketplace
- Huge integration ecosystem
Cons
- Fees are above average
- Holds your money before payout
- Limited data ownership
Best for: Organisers wanting brand recognition and marketing tools
WeGotTickets
WeGotTickets is a no-frills UK platform popular with small gigs and comedy nights. Fees can reach 10% depending on the ticket price, meaning a £25 ticket could cost fans up to £2.50 extra. The platform is simple but dated.
Pros
- Simple, straightforward setup
- Established in UK live music/comedy
- No monthly fees or contracts
Cons
- Fees up to 10% are steep
- Dated interface and limited features
- Minimal analytics and marketing tools
Best for: Small gigs and comedy nights wanting a simple setup
DICE
DICE takes a different approach — fees are absorbed so fans see an all-in price. But organisers still bear ~10% commission. DICE is mobile-first, anti-tout (no screenshot tickets) and curates which events appear on the platform.
Pros
- No visible booking fee for fans
- Strong anti-tout / anti-scalping policy
- Curated, quality-focused platform
Cons
- ~10% commission eats into your revenue
- Curated means you might not be accepted
- Mobile-only tickets can frustrate some fans
Best for: Music venues wanting anti-tout protection and a curated feel
Skiddle
Skiddle is a well-known UK platform with a strong following in the dance music and festival scene. At 10% + 25p, a £25 ticket costs fans £2.75 in booking fees. They offer event promotion tools, a discovery app and good analytics.
Pros
- Strong club/festival audience and discovery
- Good promotional and marketing tools
- Established UK brand
Cons
- 10% + 25p is expensive
- Less suited for non-music events
- Payout times can be slow
Best for: Dance music events and festivals wanting built-in promotion
DesignMyNight
DesignMyNight is primarily a venue booking and discovery platform that also handles ticketing. At roughly 12% commission, a £25 ticket costs around £3.00 in fees. It excels at connecting bars and restaurants with customers looking for nights out.
Pros
- Strong venue discovery platform
- Good for bars/restaurants with events
- Integrated booking and ticketing
Cons
- ~12% commission is very high
- Not a dedicated ticketing platform
- Limited features for pure event organisers
Best for: Bars and restaurants running events who want venue discovery
See Tickets
See Tickets is a major player for large UK venues and festivals, operating behind the scenes for many well-known events. At roughly 12% plus a £2.50 per-order fee, a single £25 ticket costs fans around £5.50 in total fees. Rates are often negotiable for large-volume clients.
Pros
- Trusted by major UK venues and festivals
- Negotiable rates for high volume
- Robust infrastructure for large events
Cons
- Very high default fees
- Per-order charge on top of percentage
- Not accessible for small organisers
Best for: Large venues and festivals with volume to negotiate rates
Ticketmaster
Ticketmaster is the world's largest ticketing platform — and the most expensive. At roughly 13.5% plus a £2.50 per-order fee, a single £25 ticket costs fans around £5.88 in total fees. Their reach is unmatched, but only arena-scale events can justify these costs.
Pros
- Largest audience reach globally
- Integrated with major venues and arenas
- Powerful infrastructure for massive events
Cons
- Highest fees of any UK platform
- Slow payouts, limited organiser control
- Poor customer service reputation
- Opaque, non-negotiable for small organisers
Best for: Arena-scale events that need Ticketmaster's reach
Summary Comparison
All 11 platforms side by side. The £25 Ticket Fee column shows what fans actually pay on top of a £25 face-value ticket.
| Rank | Platform | Fee Structure | £25 Ticket Fee | Best For |
|---|---|---|---|---|
| 1 | Tickts | £0 | £0.00 | Zero-fee ticketing |
| 2 | Outsavvy | 3.5% + 30p | £1.18 | Small/mid organisers |
| 3 | Fatsoma | 5% + 49p | £1.74 | Student/club nights |
| 4 | TicketCo | ~5.5% + 30p | £1.68 | Festivals |
| 5 | Eventbrite | 6.95% + 59p | £2.33 | Brand recognition |
| 6 | WeGotTickets | Up to 10% | £2.50 | Small gigs/comedy |
| 7 | DICE | ~10% absorbed | £2.50 | Anti-tout venues |
| 8 | Skiddle | 10% + 25p | £2.75 | Dance music/festivals |
| 9 | DesignMyNight | ~12% | £3.00 | Bars/restaurants |
| 10 | See Tickets | ~12% + £2.50 | £5.50 | Large venues |
| 11 | Ticketmaster | ~13.5% + £2.50 | £5.88 | Arena-scale events |
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